Type of Work
Used by 49 examples.
| Example | Section | What it shows |
|---|---|---|
object/bust/1 |
Object Production and Destruction | The sculpture "Bust of a Man" was created by Francis Hardwood using the sculpting technique. |
object/catalog/1 |
Objects: Aboutness | A copy of the exhibition catalog for the "Post-Impressionism: Cross-Currents in European and American Painting 1880-1906", at which Manet's "Spring" (from the Getty) and Cezanne's "Houses in Provence" (from the National Gallery) were exhibited, shows both works and carries its own text. |
object/ccp/1 |
Object Production and Destruction | A print at the Yale Center for British Art, Chaucer's Canterbury Pilgrims, made from a specific copper plate held at the Yale University Art Gallery. |
object/forum/1 |
Relationships and Context for Assignment of Attributes | The watercolor painting "Forum Romanum" was possibly produced by Salomon Corrodi |
object/gradualpage/1 |
Object Production and Destruction | The collection item is a page from a gradual (manuscript) by the Master of the Libro dei Notai. Source |
object/harpers/1 |
Objects: Aboutness | "Harper's January" at the Yale University Art Gallery is a print by Edward Penfield that has both significant text and visual content. As there is visual content which is not text, but all text is necessarily visual, the textual content is part_of the visual content. |
object/kellerdana/1 |
Object Production and Destruction | In 1964, Deane Keller created a copy of Daniel Huntington's portrait of James Dwight Dana, from 1858. |
object/lepeintre/1 |
Object Production and Destruction | The painting "Le Peintre" by Picasso was destroyed (in a plane crash) on September 2nd, 1998 at about 10:30pm. Source |
object/lepeintre/2 |
Object Production and Destruction | Le Peintre was destroyed because of the plane crashing. (Which also would have caused the destruction of the plane, the death of the crew, passengers and many other consequences) |
object/nightwatch/10 |
Objects: Physical Characteristics | The Night Watch is primarily a brown color (B35A1F), which is categorized as being brown (aat:300127490) |
object/nightwatch/11 |
Objects: Physical Characteristics | The Night Watch is a landscape format painting, as it is wider than it is high. |
object/nightwatch/12 |
Objects: Physical Characteristics | The Night Watch is made of oil paint and canvas. |
object/nightwatch/13 |
Objects: Physical Characteristics | The Night Watch is "oil on canvas". |
object/nightwatch/14 |
Objects: Provenance | The Night Watch is owned by the City of Amsterdam, and on permanent loan to the Rijksmuseum. |
object/nightwatch/16 |
Collections and Sets | |
object/nightwatch/17 |
Objects: Provenance | The Night Watch is also (entirely hypothetically) loaned to the Getty Museum. |
object/nightwatch/25 |
Conservation Activity | The Rijksmuseum checked the condition of The Night Watch, at the beginning of the project "Operation Night Watch" |
object/nightwatch/26 |
Conservation Activity | Minor conservation improvements were made to The Night Watch. |
object/nightwatch/45 |
Required Vocabulary Terms | |
object/nightwatch/57 |
Relationships and Context for Assignment of Attributes | The Night Watch is related to another object in the Rijksmuseum collection "Nachtwacht", but the relationship is not captured specifically. |
object/nightwatch/6 |
Objects: Physical Characteristics | The Night Watch is 379.5 cm high, by 453.5 cm wide. |
object/nightwatch/7 |
Objects: Physical Characteristics | The dimensions, including weight, of the Night Watch, described in a human-readable text. |
object/nightwatch/8 |
Objects: Physical Characteristics | The Night Watch once more, described with human readable labels on each dimension. |
object/nightwatch/9 |
Objects: Physical Characteristics | The measurement of the Night Watch was carried out by the "Operation Night Watch" team, during "Operation Night Watch" |
object/okeeffe-gok/1 |
Object Production and Destruction | Copies of a photograph, taken by Alfred Stieglitz of Georgia O'Keeffe, are printed from the same negative at different times and now owned by different organizations: Yale University Art Gallery, National Gallery of Art, and the Georgia O'Keeffe Museum |
object/okeeffe-yuag/1 |
Object Production and Destruction | |
object/run/1 |
Object Production and Destruction | A painted textile called "RÜN", where the linen was hand-woven by Sarah Parke and then painted by Mark Barrow. |
object/spring/10 |
Digital Integration | Jeanne has a IIIF Presentation API Manifest. |
object/spring/11 |
Digital Integration | The image of Jeanne is also available via a IIIF Image API service. |
object/spring/12 |
Exhibitions | |
object/spring/13 |
Collections and Sets | |
object/spring/20 |
Auctions | |
object/spring/21 |
Relationships and Context for Assignment of Attributes | It is asserted in 2015 that "Spring" has a material of canvas. |
object/spring/29 |
Objects: Physical Characteristics | Spring has "Framed [Outer Dim]" and "Unframed" dimensions. The "Unframed" height and width are 74 and 51.5cm. |
object/spring/3 |
Basic Patterns | The object is classified as being a Painting, and the concept "Painting" is for classifying the type of object (as opposed to any other sort of classification). |
object/spring/31 |
Relationships and Context for Assignment of Attributes | Spring was exhibited at the National Gallery of Art's exhibition "Post-Impressionism: Cross-Currents in European and American Painting" in 1980, and was assigned a exhibition specific identifier (called a "dexid"). |
object/spring/9 |
Digital Integration | There is a home page for Jeanne in the Getty collections. |
object/washday/1 |
Object Production and Destruction | The painting "Wash Day" was intentionally created in the manner of Winslow Homer. |
object/yiadom-boakye/1 |
Relationships and Context for Assignment of Attributes | The Kehinde Wiley painting "Portrait of Lynette Yiadom-Boakye, Jacob Morland of Capplethwaite" is jointly owned by the Yale University Art Gallery and the Yale Center for British Art. Both organizations have assigned their own accession numbers to the painting, and both are correct simultaneously. |
object/yul_10801219/1 |
Texts and Documents | Yale University Library holds a copy of Koot's book about The Night Watch. |
provenance/3 |
Transfer of Rights | |
provenance/4 |
Transfer of Rights | |
provenance/5 |
Transfer of Rights | A copyright management organization, the Paintings Copyright Association, acquired the copyright for a particular painting in 2014. |
set/exhset/2 |
Collections and Sets | The objects exhibited were typically (but not exclusively) paintings by Manet. |
text/catalog_24477/1 |
Auctions | |
text/koot_nightwatch/2 |
Texts and Documents | The authorship and publication of the text. |
text/koot_nightwatch/3 |
Texts and Documents | Koot's book is about The Night Watch. |
text/koot_nightwatch_ch1/1 |
Texts and Documents | |
text/koot_nightwatch_ch1/2 |
Texts and Documents | The introduction chapter to Koot's book is 10 pages long. |